Mannheimer Morgen, February 8, 1992 (translated) – Mannheim, Germany

“…acknowledges with both fury and grief the fate of a deceived generation; it (the work) does not disguise the expression of pain and hurt.  This work by no means appears to be embarassed by an asethetic which does not necessarily reject the use of effective means….one heard falling seconds, the irritating chafe of intervals straddled by affective passages, which frequently and almost without guile, created variation in musical characterizations of the text….the piano part, rich in facets, was played with fine dynamic shadings….”