Concert of Women Composers in Mannheim, sponsored by GEDOK

Rheinpfalz Zeitung, May 28/29, 1994 (translated)

“…Elizabeth Austin’s Circling for cello and piano began the concert, whose title provided both form and motivic patterns…polystylistic work with exciting interpretations as they set modern fragmentation and neoromantic lyricism, inner strife and a cantabile line against one another…..

Mannheimer Morgen, May 28/29, 1994 (translated)

“… In Circling, the relationship of the players to each other, as metaphor for human relationships, is central, from the initial isolation towards the inescapable tendency to recognize each  other…”

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